Thats why I am a little bit desperate to find a place with all windows 7 drivers. NOTE: only one of my usb seems to be working For example, when I skype my mum, Free Download Manager doesnt break the connection, it just minimazes the download speed. PCI\VEN_1022
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Plenty of internet firms did flourish before the the Open Internet Order. The FCC believes that moving ISPs back to Title I could help spur new competition and will allow ISPs to innovate on their products and services. The primary arguments to kill the act come down to two things: competition and innovation. What are some arguments in favor of killing it, as the FCC will probably do? Comcast ultimately lifted the throttling anyway. The FCC was not in a position to tell it to stop, since at the time Comcast was regulated under Title I. Ben Thompson from Stratechery references an instance in 2007 where Comcast throttled data on peer-to-peer content-sharing network BitTorrent. Title II also gives the FCC the ability to tell ISPs to stop doing something, like throttling data, while Title I does not. With the current act in place, ISPs can't do what we're seeing in mobile. There, carriers are already doing all sorts of things that are not allowed if they're regulated under Title II.įor example, wireless carriers can throttle data to slower speeds if you use too much, charge you for different internet usage features (like using your phone as a hotspot), and tack on fees if you want to stream video in HD. The Verge's Nilay Patel thinks that reversing the act will make the internet landscape will look a lot more like mobile broadband. Imagine, for example, if one provider blocked Netflix because it wants its customers to instead view its own suite of on-demand movies and TV shows. There are also fears that ISPs will throttle data and could potentially block access to services that they fear are in direct competition with their own offerings. "Consumers should be able to use the internet on the device they want, using the apps and services they want without their internet provider standing in the way," Pelosi said in June. But some lawmakers, including Democratic House Minority Leader Nancy Pelosi, disagree and are in favor of keeping ISPs under Act II. One of Pai's core arguments for reversing the act is that it has stifled competition among smaller ISPs. The arguments in favor of keeping ISPs regulated under Title II are plentiful. What are some arguments in favor of keeping the order? All data under the Open Internet Order should be treated equally. Previously, ISPs were regulated under Title I, which classified them as information services.īy applying Title II to ISPs, the FCC essentially ruled that internet providers can't block traffic or charge competitors different prices to access their services. This regulation has been applied in the past to companies like phone networks - it requires that all phone carriers deliver your call, no matter where you're calling from or which service provider you use. It declares that ISPs are regulated under something called Title II of the Communications Act of 1934. The measure, according to the FCC, is a set of "strong, sustainable rules grounded in multiple sources of legal authority to protect the Open Internet and ensure that Americans reap the economic, social, and civic benefits of an Open Internet today and into the future." The FCC under President Barack Obama began working on the rule in 2010, and it was implemented in 2015. The other side, including most internet content companies and many Democrats, believe that if ISPs are not explicitly banned from treating different internet traffic in different ways, they will use this power to charge higher rates for certain types of traffic, stifling the free flow of information in order to bolster their profits. Comcast, the country's largest ISP, has actively lobbied in favor of changing the current regulations. As you'd expect, the ISPs agree with them. Republicans argue that forcing internet service providers to treat all traffic equally will curtail ISPs' incentive to invest in infrastructure upgrades and stifle innovation that would bring consumers better service. The argument is about how much and what type of regulation is necessary to sustain it. Basically, the idea is that the internet should be neutral and that the folks whose infrastructure supports it, such as big telecom and cable companies including CNBC owner Comcast, should just be "dumb pipes" that carry all internet traffic equally, not gatekeepers who can favor certain sites or activities online by changing pricing and bandwidth based on the type of traffic, its origin or destination.Īlmost everybody claims to support net neutrality. Net neutrality is probably a buzzword you've heard thrown around a lot. first take, a clever play on the ESPN show, once again deals with love in a much more typical manner, enlisting vocalist Bryson Tiller for a verse. The song may also deal with drug withdrawal considering use of words like goosebumps, numb, and Heimlich. The clear radio hit goosebumps deals with Scott and Kendrick Lamar’s feelings for women. Assisted by 21 Savage, this track depicts Travis’ willingness to “hang outside” with his squad, and his love for expensive cars. While Scott might spend the 14 tracks telling us how incoherent he is, ‘Birds In The Trap Sing McKnight’ is anything but. Mostly, the album is about drug abuse in the early hours and the chaos that can ensue in the window between sunset and sunrise. It is also one of the only solo tracks on the album. idea of what a Travis Scott song will sound like but Highest in the Room sounds like it would fit somewhere in Bird in the Trap Sing McKnight because. But on ‘Birds’, Scott is in command and control of how everything and everyone sounds. Declared by Scott as his favorite song from the album, sweet sweet is a song about love, and is filled to the brim with Scott’s signature ad-libs. I wish that Scott dropped a verse on this instrumental, as I really think that it would have been of his greatest hits. Following this, we get sdp interlude, a beautiful psychedelic instrumental that fills the gap between beibs and the next song, sweet sweet. It suggests a depth to Astroworld that could reveal itself in coming weeks of repeated listens, hopefully hinting at an otherworldly experience to match that out-of-this-world title.The next cut, beibs in the trap, uses newcomer Nav for the chorus, and is a song about drug use and women in Scott’s life. The dreamscape of RIP Screw, for example, is unusually nuanced for a mainstream-crashing rapper, while left-field producers Tame Impala and Thundercat also contribute. On a record speckled with A-list vocal talents, it's perhaps surprising that the production often shines above the lyrics. The album is a dark, brooding haunted house. More fulfilling is the soulful Stop Trying to Be God, made by harmonising from British multitalent James Blake. Travis Scotts second studio album, Birds in the Trap Sing McKnight, is not a continuation of his work on Rodeo. The consecutive double-whammy of Skeletons and Wake Up, featuring The Weeknd, pulls the opposite trick, slowing things down in a manner more often associated with the I Can't Feel My Face charmer.įrank Ocean sounds the most incongruous, meanwhile, with his saccharine tones at odds with the low-end frequencies thrown around between his turns on the mic on Carousel. Its double-negative suggestion that Scott is prepared for plenty of future lawsuits, with the words "It ain't a mosh pit if there ain't no injuries", also points to his roughhousing attitude to his audience when he played a rowdy Abu Dhabi show two years ago.ĭrake's appearance on Sicko Mode sees the tempo boosted with a pleasingly bouncing club beat, but in truth, the Canadian chart-topper doesn't upstage the headline act. Opener Stargazing is a strange Jekyll-and-Hyde affair that hints at his work with Kanye West, evoking as it does the songs-within-songs from recent Ye records. Much like fellow southern rapper Future, however, how much you can get on board with Scott's lackadaisical flow will depend on your tolerance to Auto-Tune. He has plenty of help this time around, too, with the superstar likes of The Weeknd, Drake and Frank Ocean lining up to cameo on Astroworld. In fairness, his art hasn't gone unnoticed in his native United States, where his previous full-length album, 2016's guest-star-packed Birds in the Trap Sing McKnight, topped the Billboard charts. » News and Features » Travis Scott Birds In The Trap Sing McKnight review Joseph Dexter reviews Travis Scotts heavily anticipated follow up to Rodeo - featuring no less than Kendrick Lamar. The other half of Kardashian clan member Kylie Jenner, he also recently earned sizeable publicity regarding the models who appear on (and the one who disappeared from) the other version of the cover of his third album. C asual pop-culture observers are probably aware of Texan rapper Travis Scott, even if they aren't familiar with his music. On February 26th, 2000, AMS agents James Taylor and Gary Stewart investigate an outbreak of vicious creatures in an unnamed city. A remake, titled The House of the Dead 2: Remake, is in development by Forever Entertainment, MegaPixel Studio, and TA Publishing under license from Sega. A sequel, The House of the Dead III, was released in 2002. It received numerous spin-off adaptations, including The Typing of the Dead, which became a series of its own. The game was ported to multiple platforms. The game is currently the highest-rated title in the series, receiving a 91% approval rating upon international audiences and eventually winning the Dreamcast ULTRA Award in 1999. Its development team consisted of most of the original House of the Dead 's staff, who wanted to include a new atmosphere and scrapped ideas from the previous game.Ĭritics praised The House of the Dead 2 for its graphics, music, and large variety of branching paths, but derided its voice acting. The House of the Dead 2 was a launch title for the Sega NAOMI arcade hardware. Set almost two years after the 1998 Curien Mansion incident, the game follows AMS agents James Taylor and Gary Stewart as they investigate an unnamed, Venetian-inspired city overrun with biologically-engineered creatures. It is the sequel to The House of the Dead and the second game overall in the House of the Dead series. The House of the Dead 2 ( ザ・ハウス・オブ・ザ・デッド 2, Za Hausu obu za Deddo 2 ?) is a horror-themed rail shooting game developed by Sega AM1 and released by Sega to arcades in 1998. You know how we said that the brand claims that the 21 plant extracts are key ingredients in Clarins Double Serum? Well, it turns out that there’s a higher concentration of a synthetic fragrance blend than these plant extracts in this formula! The brand claims that wild teasel is used in the Clarins Double Serum formula “to help prevent fine lines and wrinkles resulting from daytime stress and lack of sleep.” Unfortunately, there isn’t any scientific research to back up this claim. These groups hydrogen bond with water, essentially “grabbing” it and holding it on the skin.ĭipsacus sylvestris (wild teasel) extractĭipsacus sylvestris, also known as wild teasel, is a species of flowering plant that has traditionally been used to treat skin conditions such as warts, fistulae, and cancerous sores because of its anti-inflammatory effects. This is because the structure of glycerin has three hydroxyl (OH) groups that are hydrophilic (water loving). With that being said, the glycerin in Clarins Double Serum can help to improve your skin’s hydration. It’s hard to find a skin care product that doesn’t contain glycerin! In fact, it is one of the most common humectants used in skin care, so there’s really nothing special about this ingredient. According to a publication in the Indian Journal of Dermatology, “Emollients hydrate and improve the skin softness, flexibility, and smoothness.” There are high concentrations of several different synthetic emollients in Clarins Double Serum, including cetearyl isononanoate, isononyl isononanoate, caprylic/capric triglyceride, and more. Let’s discuss what research has to say about the use of these ingredients in skin care and how they will affect your skin.
The ones we saw at the E3 demo primarily consisted of jeeps, tanks, and helicopters, each with detailed and entirely realistic control schemes. Like a real military, the American soldiers in Operation Flashpoint have a wide variety of vehicles at their disposal. Head-on assaults will usually fail, but if you have your soldiers flank or attack from behind, you’ll find that you begin to rapidly wipe out the enemy. They’ll succeed or fail in their missions based purely on the real-world variables the game engine simulates, and success usually rides on your ability to put genuine military strategies into play. In Flashpoint you act as the commander of your team, and have to issue to the other soldiers. Like real soldiers, you’re always accompanied by your squad as you go into a new mission. In Operation Flashpoint, you never fight your battles alone. Even at low difficulty levels, the game will prove to be a stiff challenge even for seasoned FPS vets. You simply don’t ever want to be close to the enemy in Flashpoint combats, because then you’re likely to end up dead. There is an auto-aim option available to make the game a bit easier on the limits of the Xbox controller, but you can only use it at medium distances. You want to face your enemies in Flashpoint from as far away as possible, using a sniper’s rifle and very careful aim to take out your targets. Challenges like fighting off enemies with the sun in your eyes or coping with night battles are commonplace, and when you’re not fighting for your life, chances are you’ll be marveling at the incredibly realistic way that time passes in-game. The engine can model the full range of real-world atmospheric conditions, from rain to all the light levels associated with different times of day. The weapons you use will be extremely authentic recreations of real-world Soviet and American weapons from 1985, as powerful and hard to control as their real-world counterparts.Ītmospheric conditions play a much larger role in Flashpoint than they do in any other similar game I’ve played. The enemy will wear camouflage, so you often may not be able to make out enemy soldiers very well against the background. Getting hit by enemy fire once is enough to kill you. When you fire, you have to stop moving and pause to set your shot up. Since Flashpoint is at heart a sim, it means realism is the order of the day when it comes to the first-person combat. Trying to play Flashpoint in the spirit of more aggressive FPS like Halo and Counterstrike will just get you killed very, very quickly. However, trying to compare it to the likes of Halo in terms of gameplay will just lead to confusion and sadness. Operation Flashpoint is often described as an FPS, and it is possible in the game to participate in battles as a soldier who views the world in a very FPS style. Fan-created content also won’t be distributed via Live, nor will the most recent expansion, Red Hammer. Still, it’s a testament to the complexity of the original Operation Flashpoint that Bohemian’s developers noted that some aspects of the original engine had to be trimmed down and simplified in order to make the game into something the Xbox could run. The Xbox was a natural choice for the console port of the classic, as the Live service would provide the kind of multiplayer support the game needed. While the single-player campaign was praised at the time, it was really the fan-created content and the multiplayer that kept the game’s fans so loyal. The original game rapidly built up an active community of die-hard fans, who keep writing mods and playing online with each other to this day. The real meat of Flashpoint is in the incredibly sophisticated game engine, and in all the boggling gameplay options it leaves at the player’s disposal.Ĭold War Crisis is essentially a port of the original Operation Flashpoint and its Resistance expansion for the PC. Flashpoint is the rare Xbox title that isn’t interested in focusing on flashy visuals, or even on visuals that are anything but purely functional. Seeing a bit more of the game started putting the graphics into perspective, though. Given how many polys the Xbox can push, it was an initially disconcerting sight. In fact, they looked like just what they are, a port of low-power PC graphics from 2001. The first thing I noticed when the fine developers at Bohemian sat down with me to demo Operation Flashpoint was that the graphics were… to put it kindly, not exactly cutting edge. In landscape, the Safe Area Layout Guides pad your content 44 pt from the left and right edge, effectively avoiding both the sensor housing and rounded corners. Going with a black UI is one way your app could blend more nicely with the hardware, while still following Apple’s guidelines. The lost screen real estate is reclaimed as soon as you scroll. Typically it can be used at the root level of a tab, but in some cases, it may be warranted further down in the navigation hierarchy. Large titles work well to present a section of your app. Still, it’s a good look when the UI blends with the hardware, I always thought. This style goes against Apple’s guideline of letting content reach the corners and should be used sparingly. These are used to highlight the modality of a screen, such as now playing or composing an email. Music and Mail are two examples of Apple apps with card UIs that leave the status bar area against a black background. By letting the navbar image stretch, the same asset works well on older devices as well. We use a gradient divided into navigation bar image and shadow image for an extra tall and smooth gradient overlay. When viewing a recipe, we let the recipe photo take up most of the screen, and a transparent navigation bar is a natural way of doing that. As a developer, you should use the Safe Area Layout Guides. The taller status bar is combined with the height of the navigation bar for a total of 88 pt. The notch stands out less, while the blur effect still allows content to shine through. Black bars works especially well on the iPhone X. Navigation BarĬustomized navigation bar for Vegourmet. I always thought apps that hid the statusbar did the wrong thing as you’re hiding important information from the user. So by using a status bar background like this, scrollbars have a visual stop.Īpple points out: “If your app currently hides the status bar, reconsider that decision on iPhone X”. Scrollbars stop before the screen radius begins. That number has been with us since the first days of the iPhone, as a 44 pt sided square has been used to represent the smallest touch target that can be hit easily. The number 44 pt is found once again in the screen’s corner radius. The familiar 20 pt tall status bar, the same height it’s been since the first iPhone… Status Barīecause of the notch, the status bar has gone through a significant change on iPhone X. We all know it’s there, but for the most part, you should design as if it’s not. In the meantime, treat it like the elephant in the room. It could be 2, 5, or even 10 years, but it’s a stop gap, not a permanent design solution. By doing so, you likely have better chances to be highlighted by Apple in the App Store, or even win an Apple Design Award.Įventually, they will get rid of the notch. As a good platform citizen, one should follow their lead. Placing black bars at the top or bottom of the screen makes your app feel small, cramped, and inconsistent with other apps on iPhone X”.Īpple is choosing to highlight the fact that the screen reaches the top left and right corner of the device. In the Designing for iPhone X video, posted by Apple after the X’s announcement, Mike Stern says: “Your app or game should always fill the display that it runs on. So how should you deal with it?Īpple writes in the HIG: “Don’t attempt to hide the device’s rounded corners, sensor housing, or indicator for accessing the Home screen by placing black bars at the top and bottom of the screen. This is the one Apple chose, so let’s work with what we got. We’ve seen different manufacturers choose different solutions to the problem. The technology to hide them behind the screen simply is not here. Regardless of your feelings for the notch, the reality is that to do a near edge-to-edge screen on a phone in 2017 you need to make place for sensors and speaker. It’s ungainly and unnatural”, and Joshua Topolsky went as far as “It is, put plainly, a visually disgusting element”. You can’t talk about this topic without first addressing the controversy the notch has caused. I use findings in our own apps in some of the examples. In the same spirit as the first post ( UI Design for iPhone X: Bottom Elements), this post will deal with designing for the iPhone X. UI Design for iPhone X: Top Elements and the Notch We’ll get back to that legality question. ( Editor's Note: See the comment below from the President of the Academy of Model Aeronautics.) Team Black Sheep recorded the whole thing on video and posted it online, stirring up a Web-wide buzz about the legality of the flight (but mostly about how cool the footage is). Later, he guided his airplane to the Statue of Liberty and buzzed her head. Last December, Pirker stood in a park near New York City’s East River, put on a pair of goggles, and flew around the Brooklyn Bridge. He and a friend, who calls himself RiSCyD (“Risky D”), are an informal flying duo called Team Black Sheep. Pirker has a strong presence online, where he goes by Trappy. There’s always the clash between fear and temptation in life.” “But at the same time you want to push the limits. “You’re naturally nervous about losing ,” he says. Some of the adrenaline comes from knowing he’s got $2,000 worth of equipment rocketing around up there, inches from the rocks and miles out of his reach. The videos Pirker puts up are often of thrill rides: The camera shows the nose of his Zephyr as the airplane careens down the face of a cliff or zips between tall alpine trees, rolling its wings at the last possible moment to avoid a crash. Most FPV pilots record their flights-and post the videos online-sometimes using a second, record-only camera that shoots in high-definition. “But with FPV I can just go places, and within five minutes I’m up on a 3,000-meter mountain.” Originally from Switzerland, he now lives in Austria, where he finds some pretty dramatic landscapes to fly over. “It’s like, you know, you’re traveling,” says the 26-year-old business and IT student. Thanks to high-power transmitters and other clever gadgetry, Pirker has roamed as far as 27 miles from where he stands. His airplane, a flying-wing-style Zephyr with a 54-inch wingspan, is light and fast, with a top speed of 90 mph-ideal for feeding his addiction to high-speed aerobatics. In effect, it’s like being in the cockpit. Now Pirker flies FPV, or First Person Video, using electronic goggles to watch video streaming in real time from a camera mounted on the airplane. 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